| You've got to push yourself harder. You've got | Above all, it's hard learning to live with vivid |
| to start looking for pictures nobody else could | mental images of scenes I cared for and failed |
| take. You've got to take the tools you have and | to photograph. It is the edgy existence within |
| probe deeper. - William Albert Allard | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| Pictures you have taken have an influence on | be made. - Sam Abell |
| those that you are going to make. | |
| That's life! - John Sexton | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| Photography records the gamut of feelings | Lange |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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Dallas |
Boston |
Columbia |
Fort Lauderdale |
Southfield |
Quincy |
Newark |
Boulder |
Ithaca |
New Orleans |
Zephyrhills |
Lewiston |
Van Buren |
Goshen |
Bellevue |
West Plains |
Faribault |
New Hampton |
Smithtown |
Reynoldsburg |
Sandusky |
Rehoboth Beach |
Fort Mitchell |
Cranberry Township |
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| You can find pictures anywhere. It's simply a | A mad, keen photographer needs to get out |
| matter of noticing things and organizing them. | into the world and work and make mistakes. |
| You just have to care about what's around you | - Sam Abell |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| I think the best pictures are often on the edges | entirely change my idea. - Edward |
| of any situation, I don't find photographing the | Weston |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | The difficulty with color is to go beyond the |
| Allard | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|