| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
| | I think the best pictures are often on the edges |
| It is not the language of painters but the | of any situation, I don't find photographing the |
| language of nature which one should listen to. | situation nearly as interesting as |
| . . . The feeling for the things themselves, for | photographing the edges. - William Albert |
| reality, is more important than the feeling for | Allard |
| pictures. - Vincent Van Gogh | |
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Chicago |
New York |
Memphis |
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Cincinnati |
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Austin |
Spring Hill |
Pittsburgh |
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Waukesha |
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Gary |
Oconomowoc |
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| Memory is very important, the memory of | One should really use the camera as though |
| each photo taken, flowing at the same speed | tomorrow you'd be stricken blind. |
| as the event. During the work, you have to be | - Dorothea Lange |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | The difficulty with color is to go beyond the |
| be too late. - Henri Cartier Bresson | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography is a major force in explaining | something. It's difficult. So often color gets |
| man to man. - Edward Steichen | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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