| ...words and pictures can work together to | A room hung with pictures is a room hung with |
| communicate more powerfully than either | thoughts. - Sir Joshua Reynolds |
| alone. -William Albert Allard | |
| | A great photograph is one that fully expresses |
| Photography knows how to authenticate its | what one feels, in the deepest sense, about |
| misrepresentations. - Mason Cooley | what is being photographed. - Ansel |
| | Adams |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | I think the best pictures are often on the edges |
| as the event. During the work, you have to be | of any situation, I don't find photographing the |
| sure that you haven't left any holes, that you've | situation nearly as interesting as |
| captured everything, because afterwards it will | photographing the edges. - William Albert |
| be too late. - Henri Cartier Bresson | Allard |
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Houston |
Dallas |
Philadelphia |
Miami |
Richmond |
Aurora |
Waterloo |
Corona |
Montgomery |
Myrtle Beach |
Broken Arrow |
Newport |
Eunice |
Toms River |
Grand Island |
Kennesaw |
Oakdale |
Tucson |
Thomson |
Northborough |
Oxford |
Vernon |
South Boston |
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| "Simply look with perceptive eyes at the | One should really use the camera as though |
| world about you, and trust to your own | tomorrow you'd be stricken blind. |
| reactions and convictions. Ask yourself: | - Dorothea Lange |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | I almost never set out to photograph a |
| personal statement of what I feel and want to | landscape, nor do I think of my camera as a |
| convey - from the subject before me?" | means of recording a mountain or an animal |
| - Ansel Adams | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| There is nothing worse than a sharp image of | Rowell |
| a fuzzy concept. - Ansel Adams | |
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