| [Photography] is a way of feeling, of touching, | My own eyes are no more than scouts on a |
| of loving. What you have caught on film is | preliminary search, for the camera's eye may |
| captured forever . . . it remembers little things, | entirely change my idea. - Edward |
| long after you have forgotten everything. | Weston |
| - Aaron Siskind | |
| | A mad, keen photographer needs to get out |
| Now to consult the rules of composition before | into the world and work and make mistakes. |
| making a picture is a little like consulting the | - Sam Abell |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | The camera makes everyone a tourist in other |
| accomplished fact; they are the products of | people's reality. - Susan Sontag |
| reflection . . . - Edward Weston | |
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Houston |
New York |
Orlando |
Albuquerque |
Indianapolis |
Evansville |
Iowa City |
Cincinnati |
Noblesville |
Brookhaven |
Aberdeen |
Glenwood Springs |
Manheim |
Lewisburg |
Alexandria |
Martinsburg |
Milton |
Dyersville |
Tyngsboro |
Shreveport |
Pekin |
Zapata |
Sun City |
Snowshoe |
Ocean City |
Syracuse |
Hazlet |
Solvang |
Hurst |
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| I think the best pictures are often on the edges | I think you have to have a real point of view |
| of any situation, I don't find photographing the | that's your own. You have to tell it your way. |
| situation nearly as interesting as | And, I think that it's a mistake to shoot for a |
| photographing the edges. - William Albert | specific magazine's point of view because it's |
| Allard | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| Sometimes you can tell a large story with a | believe it. - Mary Ellen Mark |
| tiny subject. - Eliot Porter | |
| | Photography is a major force in explaining |
| A picture is the expression of an impression. If | man to man. - Edward Steichen |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
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