| Sometimes you can tell a large story with a | I think you have to have a real point of view |
| tiny subject. - Eliot Porter | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| I think the best pictures are often on the edges | specific magazine's point of view because it's |
| of any situation, I don't find photographing the | never going to be as good. You have to shoot |
| situation nearly as interesting as | for yourself and photograph [the way] you |
| photographing the edges. - William Albert | believe it. - Mary Ellen Mark |
| Allard | |
| | Photography knows how to authenticate its |
| Keep it simple. - Alfred Eienstaedt | misrepresentations. - Mason Cooley |
|
|
New York |
Sacramento |
Greenville |
Tulsa |
Baltimore |
Boise |
Nashville |
Palm Desert |
Hamilton |
Columbus |
Akron |
Palm Coast |
Yukon |
State College |
Fairfield |
Bridgeport |
Hamden |
Rapid City |
Shreveport |
Atchison |
Newberry |
La Jolla |
Twin Falls |
Norwich |
Bennington |
Toledo |
Pullman |
Arcadia |
Ontario |
|
|
| My own eyes are no more than scouts on a | There is nothing worse than a sharp image of |
| preliminary search, for the camera's eye may | a fuzzy concept. - Ansel Adams |
| entirely change my idea. - Edward | |
| Weston | Photography is my passion. - Alfred |
| | Stieglitz |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | "Simply look with perceptive eyes at the |
| medium for one whose mind is teeming with | world about you, and trust to your own |
| ideas, imagery, for a prolific worker who | reactions and convictions. Ask yourself: |
| would be slowed down by painting or | "Does this subject move me to feel, think |
| sculpting, for one who sees quickly and acts | and dream? Can I visualize a print - my own |
| decisively, accurately. - Edward Weston | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|