| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
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| Memory is very important, the memory of | A good picture is equivalent to a good deed. |
| each photo taken, flowing at the same speed | - Vincent Van Gogh |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | A picture is the expression of an impression. If |
| captured everything, because afterwards it will | the beautiful were not in us, how would we |
| be too late. - Henri Cartier Bresson | ever recognize it? - Ernst Haas |
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| My own eyes are no more than scouts on a | It is not the language of painters but the |
| preliminary search, for the camera's eye may | language of nature which one should listen to. |
| entirely change my idea. - Edward | . . . The feeling for the things themselves, for |
| Weston | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| The camera makes everyone a tourist in other | |
| people's reality. - Susan Sontag | Above all, it's hard learning to live with vivid |
| | mental images of scenes I cared for and failed |
| The difficulty with color is to go beyond the | to photograph. It is the edgy existence within |
| fact that it's color to have it be not just a | me of these unmade images that is the only |
| colorful picture but really be a picture about | assurance that the best photographs are yet to |
| something. It's difficult. So often color gets | be made. - Sam Abell |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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