| Keep it simple. - Alfred Eienstaedt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| No place is boring, if you've had a good | entirely change my idea. - Edward |
| night's sleep and have a pocket full of | Weston |
| unexposed film. - Robert Adams | |
| | I almost never set out to photograph a |
| I think the best pictures are often on the edges | landscape, nor do I think of my camera as a |
| of any situation, I don't find photographing the | means of recording a mountain or an animal |
| situation nearly as interesting as | unless I absolutely need a 'record shot'. My |
| photographing the edges. - William Albert | first thought is always of light. - Galen |
| Allard | Rowell |
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Chicago |
Los Angeles |
Atlanta |
Worcester |
Great Falls |
Vicksburg |
Wichita |
Clarion |
Midwest City |
Stuart |
Orlando |
West Memphis |
Rialto |
Richfield |
Henderson |
Bluffton |
Collierville |
Visalia |
Blackfoot |
Vance |
Detroit |
Mackinaw City |
Corona |
Denali Park |
Naperville |
Hailey |
Webbers Falls |
Dumfries |
Kenmore |
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| Photography is a major force in explaining | It is not the language of painters but the |
| man to man. - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography records the gamut of feelings | reality, is more important than the feeling for |
| written on the human face, the beauty of the | pictures. - Vincent Van Gogh |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | Above all, it's hard learning to live with vivid |
| - Edward Steichen | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| Memory is very important, the memory of | me of these unmade images that is the only |
| each photo taken, flowing at the same speed | assurance that the best photographs are yet to |
| as the event. During the work, you have to be | be made. - Sam Abell |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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