| The virtue of the camera is not the power it | There is nothing worse than a sharp image of |
| has to transform the photographer into an | a fuzzy concept. - Ansel Adams |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| I almost never set out to photograph a | reactions and convictions. Ask yourself: |
| landscape, nor do I think of my camera as a | "Does this subject move me to feel, think |
| means of recording a mountain or an animal | and dream? Can I visualize a print - my own |
| unless I absolutely need a 'record shot'. My | personal statement of what I feel and want to |
| first thought is always of light. - Galen | convey - from the subject before me?" |
| Rowell | - Ansel Adams |
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Houston |
San Diego |
Austin |
Salt Lake City |
Des Moines |
St. Paul |
Nashville |
Metairie |
Lakewood |
West Chester |
Tampa |
Columbus |
Huntington Station |
Thousand Oaks |
Alexandria |
Hemet |
Tucson |
San Marcos |
Phillipsburg |
Rochelle |
Anniston |
Glen Allen |
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| Photography is about finding out what can | Sometimes you can tell a large story with a |
| happen in the frame. When you put four | tiny subject. - Eliot Porter |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| Photography records the gamut of feelings | ever recognize it? - Ernst Haas |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | You can find pictures anywhere. It's simply a |
| wealth and confusion man has created. | matter of noticing things and organizing them. |
| - Edward Steichen | You just have to care about what's around you |
| | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
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