| ...words and pictures can work together to | My own eyes are no more than scouts on a |
| communicate more powerfully than either | preliminary search, for the camera's eye may |
| alone. -William Albert Allard | entirely change my idea. - Edward |
| | Weston |
| Photography is a major force in explaining | |
| man to man. - Edward Steichen | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| Photography records the gamut of feelings | colorful picture but really be a picture about |
| written on the human face, the beauty of the | something. It's difficult. So often color gets |
| earth and skies that man has inherited and the | caught up in color, and it becomes merely |
| wealth and confusion man has created. | decorative. Some photographers use [ it ] |
| - Edward Steichen | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Miami |
Denver |
Virginia Beach |
Metairie |
Lancaster |
Camp Hill |
Idaho Falls |
Meriden |
Santa Rosa |
Riverhead |
Ogdensburg |
Hutchinson |
Lancaster |
Massapequa Park |
Carthage |
Pinellas Park |
Victorville |
Athens |
Holly Springs |
Seagoville |
Stone Mountain |
Brownfield |
Bristol |
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| Keep it simple. - Alfred Eienstaedt | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| A great photograph is one that fully expresses | reactions and convictions. Ask yourself: |
| what one feels, in the deepest sense, about | "Does this subject move me to feel, think |
| what is being photographed. - Ansel | and dream? Can I visualize a print - my own |
| Adams | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| A room hung with pictures is a room hung with | - Ansel Adams |
| thoughts. - Sir Joshua Reynolds | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
|