| A picture is the expression of an impression. If | You've got to push yourself harder. You've got |
| the beautiful were not in us, how would we | to start looking for pictures nobody else could |
| ever recognize it? - Ernst Haas | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | Memory is very important, the memory of |
| play. The more you look around at things, the | each photo taken, flowing at the same speed |
| more you see. The more you photograph, the | as the event. During the work, you have to be |
| more you realize what can be photographed | sure that you haven't left any holes, that you've |
| and what can't be photographed. You just have | captured everything, because afterwards it will |
| to keep doing it. - Eliot Porter | be too late. - Henri Cartier Bresson |
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St. Louis |
Greensboro |
Austin |
Tampa |
Warren |
Boulder |
Ontario |
Layton |
Canton |
Colorado Springs |
Murfreesboro |
Lakewood |
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Oshkosh |
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Cranberry Township |
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Concord |
Union Gap |
Ellensburg |
Hacienda Heights |
Bishopville |
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| Once photography enters your bloodstream, | I almost never set out to photograph a |
| it's like a disease. - Anon | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| It is not the language of painters but the | unless I absolutely need a 'record shot'. My |
| language of nature which one should listen to. | first thought is always of light. - Galen |
| . . . The feeling for the things themselves, for | Rowell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| There is nothing worse than a sharp image of | colorful picture but really be a picture about |
| a fuzzy concept. - Ansel Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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