| ...words and pictures can work together to | You learn to see by practice. It's just like |
| communicate more powerfully than either | playing tennis, you get better the more you |
| alone. -William Albert Allard | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| Memory is very important, the memory of | more you realize what can be photographed |
| each photo taken, flowing at the same speed | and what can't be photographed. You just have |
| as the event. During the work, you have to be | to keep doing it. - Eliot Porter |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | A room hung with pictures is a room hung with |
| be too late. - Henri Cartier Bresson | thoughts. - Sir Joshua Reynolds |
|
|
New York |
Brooklyn |
San Antonio |
Reno |
Mount Pleasant |
Morgan Hill |
Orange Park |
Bozeman |
Eunice |
Bloomsburg |
Spring Hill |
New Britain |
Pierre |
Andover |
Fort Walton Beach |
Montauk |
Ashtabula |
Brainerd |
Andalusia |
Salinas |
Orangeburg |
Memphis |
Vienna |
Pittsboro |
Painted Post |
Inglewood |
|
|
| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| | Lange |
|