| It is not the language of painters but the | You've got to push yourself harder. You've got |
| language of nature which one should listen to. | to start looking for pictures nobody else could |
| . . . The feeling for the things themselves, for | take. You've got to take the tools you have and |
| reality, is more important than the feeling for | probe deeper. - William Albert Allard |
| pictures. - Vincent Van Gogh | |
| | ...words and pictures can work together to |
| Photography is my passion. - Alfred | communicate more powerfully than either |
| Stieglitz | alone. -William Albert Allard |
| | |
| "Simply look with perceptive eyes at the | Photography records the gamut of feelings |
| world about you, and trust to your own | written on the human face, the beauty of the |
| reactions and convictions. Ask yourself: | earth and skies that man has inherited and the |
| "Does this subject move me to feel, think | wealth and confusion man has created. |
| and dream? Can I visualize a print - my own | - Edward Steichen |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Tampa |
Jacksonville |
Whittier |
Los Angeles |
San Jose |
Coral Gables |
Yorba Linda |
West Chester |
Summerville |
Clearfield |
Sanford |
Niagara Falls |
Hobart |
New Rochelle |
Hornell |
Forney |
Asbury Park |
Biscoe |
Fairfield |
Orland Park |
Kenmore |
Indian Rocks Beach |
Cromwell |
Goodlettsville |
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| The virtue of the camera is not the power it | I think the best pictures are often on the edges |
| has to transform the photographer into an | of any situation, I don't find photographing the |
| artist, but the impulse it gives him to keep on | situation nearly as interesting as |
| looking. - Brooks Anderson | photographing the edges. - William Albert |
| | Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | A room hung with pictures is a room hung with |
| colorful picture but really be a picture about | thoughts. - Sir Joshua Reynolds |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | A good picture is equivalent to a good deed. |
| decorative. Some photographers use [ it ] | - Vincent Van Gogh |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|