| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| I think you have to have a real point of view | sculpting, for one who sees quickly and acts |
| that's your own. You have to tell it your way. | decisively, accurately. - Edward Weston |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | I almost never set out to photograph a |
| never going to be as good. You have to shoot | landscape, nor do I think of my camera as a |
| for yourself and photograph [the way] you | means of recording a mountain or an animal |
| believe it. - Mary Ellen Mark | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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St. Louis |
Brooklyn |
Buffalo |
Miami |
Sacramento |
Akron |
Ogden |
Agoura Hills |
Alpharetta |
Medina |
Sunnyvale |
Selinsgrove |
Hollywood |
Trussville |
Bluefield |
Fulton |
Westchester |
Ocean Isle Beach |
Red Bank |
Dumfries |
Plainview |
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| Once photography enters your bloodstream, | Keep it simple. - Alfred Eienstaedt |
| it's like a disease. - Anon | |
| | I think the best pictures are often on the edges |
| Photography is my passion. - Alfred | of any situation, I don't find photographing the |
| Stieglitz | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| It is not the language of painters but the | Allard |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | Sometimes you can tell a large story with a |
| reality, is more important than the feeling for | tiny subject. - Eliot Porter |
| pictures. - Vincent Van Gogh | |
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