| A good picture is equivalent to a good deed. | The difficulty with color is to go beyond the |
| - Vincent Van Gogh | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| I think the best pictures are often on the edges | something. It's difficult. So often color gets |
| of any situation, I don't find photographing the | caught up in color, and it becomes merely |
| situation nearly as interesting as | decorative. Some photographers use [ it ] |
| photographing the edges. - William Albert | brilliantly to make visual statements combining |
| Allard | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Keep it simple. - Alfred Eienstaedt | |
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New York |
Chicago |
Brooklyn |
Dallas |
Pittsburgh |
Fort Worth |
Raleigh |
Colorado Springs |
Pueblo |
Miami |
Warren |
Elizabethtown |
Naples |
Boulder |
Ontario |
Alameda |
Wichita |
Elk Grove Village |
Jersey City |
Hamilton |
Apopka |
Robinson |
Quincy |
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| Now to consult the rules of composition before | Photography is a major force in explaining |
| making a picture is a little like consulting the | man to man. - Edward Steichen |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | You've got to push yourself harder. You've got |
| accomplished fact; they are the products of | to start looking for pictures nobody else could |
| reflection . . . - Edward Weston | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| It is not the language of painters but the | |
| language of nature which one should listen to. | ...words and pictures can work together to |
| . . . The feeling for the things themselves, for | communicate more powerfully than either |
| reality, is more important than the feeling for | alone. -William Albert Allard |
| pictures. - Vincent Van Gogh | |
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