| The virtue of the camera is not the power it | A great photograph is one that fully expresses |
| has to transform the photographer into an | what one feels, in the deepest sense, about |
| artist, but the impulse it gives him to keep on | what is being photographed. - Ansel |
| looking. - Brooks Anderson | Adams |
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| The difficulty with color is to go beyond the | Keep it simple. - Alfred Eienstaedt |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | A picture is the expression of an impression. If |
| something. It's difficult. So often color gets | the beautiful were not in us, how would we |
| caught up in color, and it becomes merely | ever recognize it? - Ernst Haas |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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| You've got to push yourself harder. You've got | It is not the language of painters but the |
| to start looking for pictures nobody else could | language of nature which one should listen to. |
| take. You've got to take the tools you have and | . . . The feeling for the things themselves, for |
| probe deeper. - William Albert Allard | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | There is nothing worse than a sharp image of |
| | a fuzzy concept. - Ansel Adams |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | Photography takes an instant out of time, |
| earth and skies that man has inherited and the | altering life by holding it still. - Dorothea |
| wealth and confusion man has created. | Lange |
| - Edward Steichen | |
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