| You've got to push yourself harder. You've got | The difficulty with color is to go beyond the |
| to start looking for pictures nobody else could | fact that it's color to have it be not just a |
| take. You've got to take the tools you have and | colorful picture but really be a picture about |
| probe deeper. - William Albert Allard | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| Photography is about finding out what can | decorative. Some photographers use [ it ] |
| happen in the frame. When you put four | brilliantly to make visual statements combining |
| edges around some facts, you change those | color and content; otherwise it is empty. |
| facts. - Gary Winogrand | - Mary Ellen Mark |
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New York |
Chicago |
Yonkers |
Flint |
Spring Hill |
Lima |
Palm Coast |
Wooster |
Montebello |
La Grange |
Irving |
Murray |
Bloomingdale |
Delano |
Newport |
Anchorage |
Twentynine Palms |
Chantilly |
Danbury |
Lynnwood |
Thomaston |
Olathe |
Chester |
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| "Simply look with perceptive eyes at the | Sometimes you can tell a large story with a |
| world about you, and trust to your own | tiny subject. - Eliot Porter |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You can find pictures anywhere. It's simply a |
| and dream? Can I visualize a print - my own | matter of noticing things and organizing them. |
| personal statement of what I feel and want to | You just have to care about what's around you |
| convey - from the subject before me?" | and have a concern with humanity and the |
| - Ansel Adams | human comedy. - Elliott Erwitt |
| | |
| Photography takes an instant out of time, | A great photograph is one that fully expresses |
| altering life by holding it still. - Dorothea | what one feels, in the deepest sense, about |
| Lange | what is being photographed. - Ansel |
| | Adams |
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