| Photography is a major force in explaining | Photography takes an instant out of time, |
| man to man. - Edward Steichen | altering life by holding it still. - Dorothea |
| | Lange |
| Photography knows how to authenticate its | |
| misrepresentations. - Mason Cooley | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| Memory is very important, the memory of | reactions and convictions. Ask yourself: |
| each photo taken, flowing at the same speed | "Does this subject move me to feel, think |
| as the event. During the work, you have to be | and dream? Can I visualize a print - my own |
| sure that you haven't left any holes, that you've | personal statement of what I feel and want to |
| captured everything, because afterwards it will | convey - from the subject before me?" |
| be too late. - Henri Cartier Bresson | - Ansel Adams |
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Cincinnati |
Pittsburgh |
Minneapolis |
Davenport |
Modesto |
Durham |
Hampton |
Huntington Beach |
Raleigh |
Puyallup |
Fairmont |
Bradford |
Des Moines |
The Dalles |
Hopkinsville |
Bremen |
Moultrie |
Monticello |
Ventura |
Parkersburg |
Long Branch |
Bradenton |
Fisher Island |
Afton |
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| You learn to see by practice. It's just like | I almost never set out to photograph a |
| playing tennis, you get better the more you | landscape, nor do I think of my camera as a |
| play. The more you look around at things, the | means of recording a mountain or an animal |
| more you see. The more you photograph, the | unless I absolutely need a 'record shot'. My |
| more you realize what can be photographed | first thought is always of light. - Galen |
| and what can't be photographed. You just have | Rowell |
| to keep doing it. - Eliot Porter | |
| | One should really use the camera as though |
| A room hung with pictures is a room hung with | tomorrow you'd be stricken blind. |
| thoughts. - Sir Joshua Reynolds | - Dorothea Lange |
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