| The difficulty with color is to go beyond the | You learn to see by practice. It's just like |
| fact that it's color to have it be not just a | playing tennis, you get better the more you |
| colorful picture but really be a picture about | play. The more you look around at things, the |
| something. It's difficult. So often color gets | more you see. The more you photograph, the |
| caught up in color, and it becomes merely | more you realize what can be photographed |
| decorative. Some photographers use [ it ] | and what can't be photographed. You just have |
| brilliantly to make visual statements combining | to keep doing it. - Eliot Porter |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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New York |
Tampa |
Phoenix |
San Diego |
Kalamazoo |
Belleville |
Monroe |
Mesquite |
La Mesa |
Sanford |
Greenville |
Anderson |
Batavia |
Price |
Temple Terrace |
Loveland |
Southfield |
Myrtle Beach |
Kissimmee |
Van Wert |
Shenandoah |
Fairmont |
Roseville |
Milldale |
Amesbury |
Liberty Lake |
Rensselaer |
Lapeer |
Rock Hill |
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| Now to consult the rules of composition before | Photography is a major force in explaining |
| making a picture is a little like consulting the | man to man. - Edward Steichen |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | Photography knows how to authenticate its |
| accomplished fact; they are the products of | misrepresentations. - Mason Cooley |
| reflection . . . - Edward Weston | |
| | Photography is about finding out what can |
| There is nothing worse than a sharp image of | happen in the frame. When you put four |
| a fuzzy concept. - Ansel Adams | edges around some facts, you change those |
| | facts. - Gary Winogrand |
|