| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Sometimes you can tell a large story with a |
| personal statement of what I feel and want to | tiny subject. - Eliot Porter |
| convey - from the subject before me?" | |
| - Ansel Adams | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| It is not the language of painters but the | |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Colorado Springs |
St. Louis |
Dallas |
Jacksonville |
Baton Rouge |
Racine |
Reno |
Lakewood |
Arlington |
Orangeburg |
Fullerton |
Oskaloosa |
Salem |
Beeville |
Garden City |
Pompano Beach |
Gastonia |
Albion |
Vancouver |
Paso Robles |
Brunswick |
Cranston |
Antioch |
Hillsboro |
Carmel |
Galisteo |
Arlington |
Alameda |
Tillamook |
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| Photography knows how to authenticate its | Photography suits the temper of this ageof |
| misrepresentations. - Mason Cooley | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| ...words and pictures can work together to | ideas, imagery, for a prolific worker who |
| communicate more powerfully than either | would be slowed down by painting or |
| alone. -William Albert Allard | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | The virtue of the camera is not the power it |
| earth and skies that man has inherited and the | has to transform the photographer into an |
| wealth and confusion man has created. | artist, but the impulse it gives him to keep on |
| - Edward Steichen | looking. - Brooks Anderson |
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