| You've got to push yourself harder. You've got | Photography suits the temper of this ageof |
| to start looking for pictures nobody else could | active bodies and minds. It is a perfect |
| take. You've got to take the tools you have and | medium for one whose mind is teeming with |
| probe deeper. - William Albert Allard | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| Photography records the gamut of feelings | sculpting, for one who sees quickly and acts |
| written on the human face, the beauty of the | decisively, accurately. - Edward Weston |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | One should really use the camera as though |
| - Edward Steichen | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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New York |
Chicago |
San Francisco |
Pittsburgh |
Las Vegas |
San Diego |
New Orleans |
Long Beach |
Newark |
Oceanside |
Stamford |
Palm Springs |
Fairfield |
Middlesboro |
San Juan Capistrano |
Flint |
Henderson |
Oak Ridge |
Edwardsville |
Missoula |
Irmo |
Shepherdstown |
Plainville |
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| A picture is the expression of an impression. If | It is not the language of painters but the |
| the beautiful were not in us, how would we | language of nature which one should listen to. |
| ever recognize it? - Ernst Haas | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| Keep it simple. - Alfred Eienstaedt | pictures. - Vincent Van Gogh |
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| No place is boring, if you've had a good | Photography takes an instant out of time, |
| night's sleep and have a pocket full of | altering life by holding it still. - Dorothea |
| unexposed film. - Robert Adams | Lange |
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