| No place is boring, if you've had a good | "Simply look with perceptive eyes at the |
| night's sleep and have a pocket full of | world about you, and trust to your own |
| unexposed film. - Robert Adams | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A room hung with pictures is a room hung with | and dream? Can I visualize a print - my own |
| thoughts. - Sir Joshua Reynolds | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| You can find pictures anywhere. It's simply a | - Ansel Adams |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | Photography takes an instant out of time, |
| and have a concern with humanity and the | altering life by holding it still. - Dorothea |
| human comedy. - Elliott Erwitt | Lange |
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Chicago |
San Diego |
Oklahoma City |
Clearwater |
Springfield |
Carson City |
Thibodaux |
Reno |
Cathedral City |
St. Charles |
Greenville |
Astoria |
Paragould |
Elgin |
Rensselaer |
Atlantic City |
Beaufort |
Waldorf |
El Dorado |
Shreveport |
Union |
Miamisburg |
Camden |
Saint Robert |
New York |
Miami |
Solana Beach |
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| One should really use the camera as though | Memory is very important, the memory of |
| tomorrow you'd be stricken blind. | each photo taken, flowing at the same speed |
| - Dorothea Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| The camera makes everyone a tourist in other | captured everything, because afterwards it will |
| people's reality. - Susan Sontag | be too late. - Henri Cartier Bresson |
| | |
| A mad, keen photographer needs to get out | Photography is about finding out what can |
| into the world and work and make mistakes. | happen in the frame. When you put four |
| - Sam Abell | edges around some facts, you change those |
| | facts. - Gary Winogrand |
|