| Keep it simple. - Alfred Eienstaedt | I almost never set out to photograph a |
| | landscape, nor do I think of my camera as a |
| A picture is the expression of an impression. If | means of recording a mountain or an animal |
| the beautiful were not in us, how would we | unless I absolutely need a 'record shot'. My |
| ever recognize it? - Ernst Haas | first thought is always of light. - Galen |
| | Rowell |
| A room hung with pictures is a room hung with | |
| thoughts. - Sir Joshua Reynolds | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| I think the best pictures are often on the edges | colorful picture but really be a picture about |
| of any situation, I don't find photographing the | something. It's difficult. So often color gets |
| situation nearly as interesting as | caught up in color, and it becomes merely |
| photographing the edges. - William Albert | decorative. Some photographers use [ it ] |
| Allard | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|
|
Houston |
Los Angeles |
Seattle |
Portland |
Albuquerque |
Modesto |
Little Rock |
Vancouver |
Bellevue |
Cincinnati |
Birmingham |
Waco |
Camarillo |
Chino |
Tucson |
Webster |
West Allis |
New Rochelle |
Westerville |
Amarillo |
Hilton Head Island |
Lantana |
|
|
| [Photography] is a way of feeling, of touching, | You've got to push yourself harder. You've got |
| of loving. What you have caught on film is | to start looking for pictures nobody else could |
| captured forever . . . it remembers little things, | take. You've got to take the tools you have and |
| long after you have forgotten everything. | probe deeper. - William Albert Allard |
| - Aaron Siskind | |
| | Photography records the gamut of feelings |
| "Simply look with perceptive eyes at the | written on the human face, the beauty of the |
| world about you, and trust to your own | earth and skies that man has inherited and the |
| reactions and convictions. Ask yourself: | wealth and confusion man has created. |
| "Does this subject move me to feel, think | - Edward Steichen |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|