| I think you have to have a real point of view | I almost never set out to photograph a |
| that's your own. You have to tell it your way. | landscape, nor do I think of my camera as a |
| And, I think that it's a mistake to shoot for a | means of recording a mountain or an animal |
| specific magazine's point of view because it's | unless I absolutely need a 'record shot'. My |
| never going to be as good. You have to shoot | first thought is always of light. - Galen |
| for yourself and photograph [the way] you | Rowell |
| believe it. - Mary Ellen Mark | |
| | My own eyes are no more than scouts on a |
| Photography knows how to authenticate its | preliminary search, for the camera's eye may |
| misrepresentations. - Mason Cooley | entirely change my idea. - Edward |
| | Weston |
|
|
Fresno |
Detroit |
Riverside |
Great Falls |
Grand Junction |
Harlingen |
Chicopee |
Macomb |
Elizabethton |
Mayfield |
Antioch |
Weaverville |
Southaven |
Massena |
Bartlesville |
Greensboro |
Greenwood Village |
Trumbull |
Chipley |
Temple |
Reedsburg |
Dana Point |
Englewood |
Grand Island |
Oceanside |
Fort Wright |
|
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| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You can find pictures anywhere. It's simply a |
| and dream? Can I visualize a print - my own | matter of noticing things and organizing them. |
| personal statement of what I feel and want to | You just have to care about what's around you |
| convey - from the subject before me?" | and have a concern with humanity and the |
| - Ansel Adams | human comedy. - Elliott Erwitt |
| | |
| Once photography enters your bloodstream, | A great photograph is one that fully expresses |
| it's like a disease. - Anon | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
|