| Memory is very important, the memory of | A picture is the expression of an impression. If |
| each photo taken, flowing at the same speed | the beautiful were not in us, how would we |
| as the event. During the work, you have to be | ever recognize it? - Ernst Haas |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Keep it simple. - Alfred Eienstaedt |
| be too late. - Henri Cartier Bresson | |
| | Sometimes you can tell a large story with a |
| Photography is a major force in explaining | tiny subject. - Eliot Porter |
| man to man. - Edward Steichen | |
| | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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Dallas |
Indianapolis |
St. Louis |
Denver |
Fort Lauderdale |
Williamsburg |
Allentown |
Santa Fe |
Corona |
Taylor |
Grand Junction |
Sandusky |
Conroe |
Danvers |
Northfield |
Lewiston |
Davie |
Blackfoot |
Mundelein |
Eastland |
Heavener |
Dodgeville |
Apopka |
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| [Photography] is a way of feeling, of touching, | One should really use the camera as though |
| of loving. What you have caught on film is | tomorrow you'd be stricken blind. |
| captured forever . . . it remembers little things, | - Dorothea Lange |
| long after you have forgotten everything. | |
| - Aaron Siskind | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| It is not the language of painters but the | entirely change my idea. - Edward |
| language of nature which one should listen to. | Weston |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | The camera makes everyone a tourist in other |
| pictures. - Vincent Van Gogh | people's reality. - Susan Sontag |
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