| You've got to push yourself harder. You've got | It is not the language of painters but the |
| to start looking for pictures nobody else could | language of nature which one should listen to. |
| take. You've got to take the tools you have and | . . . The feeling for the things themselves, for |
| probe deeper. - William Albert Allard | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | There is nothing worse than a sharp image of |
| as the event. During the work, you have to be | a fuzzy concept. - Ansel Adams |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | Above all, it's hard learning to live with vivid |
| be too late. - Henri Cartier Bresson | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Dallas |
New York |
Richmond |
Sacramento |
Garland |
Salt Lake City |
Tampa |
Arlington |
Dubuque |
Morgantown |
Kosciusko |
West Des Moines |
Key West |
Perry |
Concord |
Lufkin |
Nashville |
Clinton |
Las Animas |
Kittery |
Cheboygan |
Healy |
Turlock |
Ladson |
Steamboat Springs Hilltop |
Mcminnville |
Marshall |
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| A great photograph is one that fully expresses | One should really use the camera as though |
| what one feels, in the deepest sense, about | tomorrow you'd be stricken blind. |
| what is being photographed. - Ansel | - Dorothea Lange |
| Adams | |
| | I almost never set out to photograph a |
| Sometimes you can tell a large story with a | landscape, nor do I think of my camera as a |
| tiny subject. - Eliot Porter | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| No place is boring, if you've had a good | first thought is always of light. - Galen |
| night's sleep and have a pocket full of | Rowell |
| unexposed film. - Robert Adams | |
|