| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | A good picture is equivalent to a good deed. |
| brilliantly to make visual statements combining | - Vincent Van Gogh |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
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Houston |
New York |
Chicago |
Irvine |
Ogden |
Huntsville |
Aurora |
Terre Haute |
Decatur |
Sterling Heights |
Jacksonville |
Phillipsburg |
East Hartford |
Decatur |
Palm Springs |
Orange Park |
Commack |
Greenville |
Portsmouth |
Pittsfield |
Kansas City |
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| Once photography enters your bloodstream, | You've got to push yourself harder. You've got |
| it's like a disease. - Anon | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| "Simply look with perceptive eyes at the | probe deeper. - William Albert Allard |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | Photography is a major force in explaining |
| "Does this subject move me to feel, think | man to man. - Edward Steichen |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography records the gamut of feelings |
| convey - from the subject before me?" | written on the human face, the beauty of the |
| - Ansel Adams | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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