| You learn to see by practice. It's just like | You've got to push yourself harder. You've got |
| playing tennis, you get better the more you | to start looking for pictures nobody else could |
| play. The more you look around at things, the | take. You've got to take the tools you have and |
| more you see. The more you photograph, the | probe deeper. - William Albert Allard |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | Memory is very important, the memory of |
| to keep doing it. - Eliot Porter | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| No place is boring, if you've had a good | sure that you haven't left any holes, that you've |
| night's sleep and have a pocket full of | captured everything, because afterwards it will |
| unexposed film. - Robert Adams | be too late. - Henri Cartier Bresson |
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New York |
Las Vegas |
Oklahoma City |
Los Angeles |
Pittsburgh |
New Orleans |
York |
Long Island City |
Weatherford |
White Plains |
Libertyville |
Sacramento |
Palm Coast |
Cerritos |
Laguna Hills |
Imlay City |
Mount Vernon |
Superior |
Vernal |
Anchorage |
Juneau |
Brookhaven |
Johnson City |
Parkersburg |
Hillsborough |
New Albany |
Placerville |
Eagle |
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| It is not the language of painters but the | A mad, keen photographer needs to get out |
| language of nature which one should listen to. | into the world and work and make mistakes. |
| . . . The feeling for the things themselves, for | - Sam Abell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| Photography is my passion. - Alfred | |
| Stieglitz | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| Above all, it's hard learning to live with vivid | artist, but the impulse it gives him to keep on |
| mental images of scenes I cared for and failed | looking. - Brooks Anderson |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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