| "Simply look with perceptive eyes at the | A room hung with pictures is a room hung with |
| world about you, and trust to your own | thoughts. - Sir Joshua Reynolds |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | Sometimes you can tell a large story with a |
| and dream? Can I visualize a print - my own | tiny subject. - Eliot Porter |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | You can find pictures anywhere. It's simply a |
| - Ansel Adams | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| Photography takes an instant out of time, | and have a concern with humanity and the |
| altering life by holding it still. - Dorothea | human comedy. - Elliott Erwitt |
| Lange | |
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Chicago |
San Francisco |
Philadelphia |
Minneapolis |
Edison |
Holland |
Fredericksburg |
Biloxi |
Terre Haute |
Pottsville |
Jupiter |
Edina |
Clayton |
Tyngsboro |
Potosi |
Warwick |
Denison |
Ponca City |
Eureka |
Rochester |
Stone Mountain |
Beverly Hills |
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| Photography is about finding out what can | A mad, keen photographer needs to get out |
| happen in the frame. When you put four | into the world and work and make mistakes. |
| edges around some facts, you change those | - Sam Abell |
| facts. - Gary Winogrand | |
| | My own eyes are no more than scouts on a |
| I think you have to have a real point of view | preliminary search, for the camera's eye may |
| that's your own. You have to tell it your way. | entirely change my idea. - Edward |
| And, I think that it's a mistake to shoot for a | Weston |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | One should really use the camera as though |
| for yourself and photograph [the way] you | tomorrow you'd be stricken blind. |
| believe it. - Mary Ellen Mark | - Dorothea Lange |
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