| Memory is very important, the memory of | "Simply look with perceptive eyes at the |
| each photo taken, flowing at the same speed | world about you, and trust to your own |
| as the event. During the work, you have to be | reactions and convictions. Ask yourself: |
| sure that you haven't left any holes, that you've | "Does this subject move me to feel, think |
| captured everything, because afterwards it will | and dream? Can I visualize a print - my own |
| be too late. - Henri Cartier Bresson | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography records the gamut of feelings | - Ansel Adams |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Above all, it's hard learning to live with vivid |
| wealth and confusion man has created. | mental images of scenes I cared for and failed |
| - Edward Steichen | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Chicago |
Memphis |
Miami |
Denver |
Los Angeles |
Rochester |
Norfolk |
Tacoma |
Dayton |
Corinth |
Fort Lauderdale |
Redondo Beach |
Redding |
Redwood City |
Duluth |
Sherman Oaks |
Garden City |
Mount Laurel |
Leesburg |
Avon |
Fairfield |
Delano |
Hamilton |
Berlin |
Sapphire |
Alvin |
Baker |
Southport |
Donegal |
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| You learn to see by practice. It's just like | A mad, keen photographer needs to get out |
| playing tennis, you get better the more you | into the world and work and make mistakes. |
| play. The more you look around at things, the | - Sam Abell |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | I almost never set out to photograph a |
| and what can't be photographed. You just have | landscape, nor do I think of my camera as a |
| to keep doing it. - Eliot Porter | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| I think the best pictures are often on the edges | first thought is always of light. - Galen |
| of any situation, I don't find photographing the | Rowell |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | |
| Allard | |
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