| Photography knows how to authenticate its | "Simply look with perceptive eyes at the |
| misrepresentations. - Mason Cooley | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Memory is very important, the memory of | "Does this subject move me to feel, think |
| each photo taken, flowing at the same speed | and dream? Can I visualize a print - my own |
| as the event. During the work, you have to be | personal statement of what I feel and want to |
| sure that you haven't left any holes, that you've | convey - from the subject before me?" |
| captured everything, because afterwards it will | - Ansel Adams |
| be too late. - Henri Cartier Bresson | |
| | Photography is my passion. - Alfred |
| | Stieglitz |
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San Francisco |
Washington |
Detroit |
Chattanooga |
Fort Worth |
Jackson |
Tupelo |
Greenwood |
Pulaski |
Eugene |
Sterling |
Muskogee |
Chino |
Girard |
Nyack |
Richmond |
Rehoboth Beach |
Hutchinson |
Lorain |
Easley |
Thomaston |
Smithtown |
Ogden |
Bradford |
Joliet |
Madison Heights |
Tumwater |
Lincoln |
Hawley |
Garland |
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| A great photograph is one that fully expresses | A mad, keen photographer needs to get out |
| what one feels, in the deepest sense, about | into the world and work and make mistakes. |
| what is being photographed. - Ansel | - Sam Abell |
| Adams | |
| | The camera makes everyone a tourist in other |
| You learn to see by practice. It's just like | people's reality. - Susan Sontag |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | The virtue of the camera is not the power it |
| more you see. The more you photograph, the | has to transform the photographer into an |
| more you realize what can be photographed | artist, but the impulse it gives him to keep on |
| and what can't be photographed. You just have | looking. - Brooks Anderson |
| to keep doing it. - Eliot Porter | |
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