| Photography records the gamut of feelings | A mad, keen photographer needs to get out |
| written on the human face, the beauty of the | into the world and work and make mistakes. |
| earth and skies that man has inherited and the | - Sam Abell |
| wealth and confusion man has created. | |
| - Edward Steichen | One should really use the camera as though |
| | tomorrow you'd be stricken blind. |
| You've got to push yourself harder. You've got | - Dorothea Lange |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | Photography suits the temper of this ageof |
| probe deeper. - William Albert Allard | active bodies and minds. It is a perfect |
| | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
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Philadelphia |
San Diego |
Las Vegas |
Lexington |
Honolulu |
Kansas City |
Alexandria |
Clinton |
Chandler |
Anderson |
Front Royal |
Carmel |
Palmdale |
Joplin |
Lawrence |
West Helena |
Glenwood Springs |
Bell Gardens |
Oro Valley |
Boulder Louisville |
Rochester |
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| It is not the language of painters but the | No place is boring, if you've had a good |
| language of nature which one should listen to. | night's sleep and have a pocket full of |
| . . . The feeling for the things themselves, for | unexposed film. - Robert Adams |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | Keep it simple. - Alfred Eienstaedt |
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| "Simply look with perceptive eyes at the | A good picture is equivalent to a good deed. |
| world about you, and trust to your own | - Vincent Van Gogh |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You learn to see by practice. It's just like |
| and dream? Can I visualize a print - my own | playing tennis, you get better the more you |
| personal statement of what I feel and want to | play. The more you look around at things, the |
| convey - from the subject before me?" | more you see. The more you photograph, the |
| - Ansel Adams | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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