| A mad, keen photographer needs to get out | A picture is the expression of an impression. If |
| into the world and work and make mistakes. | the beautiful were not in us, how would we |
| - Sam Abell | ever recognize it? - Ernst Haas |
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| My own eyes are no more than scouts on a | A room hung with pictures is a room hung with |
| preliminary search, for the camera's eye may | thoughts. - Sir Joshua Reynolds |
| entirely change my idea. - Edward | |
| Weston | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| Photography suits the temper of this ageof | play. The more you look around at things, the |
| active bodies and minds. It is a perfect | more you see. The more you photograph, the |
| medium for one whose mind is teeming with | more you realize what can be photographed |
| ideas, imagery, for a prolific worker who | and what can't be photographed. You just have |
| would be slowed down by painting or | to keep doing it. - Eliot Porter |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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| Photography takes an instant out of time, | You've got to push yourself harder. You've got |
| altering life by holding it still. - Dorothea | to start looking for pictures nobody else could |
| Lange | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography records the gamut of feelings |
| reactions and convictions. Ask yourself: | written on the human face, the beauty of the |
| "Does this subject move me to feel, think | earth and skies that man has inherited and the |
| and dream? Can I visualize a print - my own | wealth and confusion man has created. |
| personal statement of what I feel and want to | - Edward Steichen |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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