| You can find pictures anywhere. It's simply a | You've got to push yourself harder. You've got |
| matter of noticing things and organizing them. | to start looking for pictures nobody else could |
| You just have to care about what's around you | take. You've got to take the tools you have and |
| and have a concern with humanity and the | probe deeper. - William Albert Allard |
| human comedy. - Elliott Erwitt | |
| | Pictures you have taken have an influence on |
| You learn to see by practice. It's just like | those that you are going to make. |
| playing tennis, you get better the more you | That's life! - John Sexton |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | Photography knows how to authenticate its |
| more you realize what can be photographed | misrepresentations. - Mason Cooley |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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| My own eyes are no more than scouts on a | [Photography] is a way of feeling, of touching, |
| preliminary search, for the camera's eye may | of loving. What you have caught on film is |
| entirely change my idea. - Edward | captured forever . . . it remembers little things, |
| Weston | long after you have forgotten everything. |
| | - Aaron Siskind |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | It is not the language of painters but the |
| colorful picture but really be a picture about | language of nature which one should listen to. |
| something. It's difficult. So often color gets | . . . The feeling for the things themselves, for |
| caught up in color, and it becomes merely | reality, is more important than the feeling for |
| decorative. Some photographers use [ it ] | pictures. - Vincent Van Gogh |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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