| Memory is very important, the memory of | Once photography enters your bloodstream, |
| each photo taken, flowing at the same speed | it's like a disease. - Anon |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | "Simply look with perceptive eyes at the |
| captured everything, because afterwards it will | world about you, and trust to your own |
| be too late. - Henri Cartier Bresson | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Photography is a major force in explaining | and dream? Can I visualize a print - my own |
| man to man. - Edward Steichen | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
San Jose |
Staten Island |
Johnstown |
Milwaukee |
Dallas |
South Bend |
Lake Worth |
Allen Park |
Palestine |
Bay City |
Bayside |
Morgantown |
Fowlerville |
Gretna |
Atascadero |
Estes Park |
Dumas |
Safford |
York |
Berlin |
Eureka Springs |
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| The virtue of the camera is not the power it | Sometimes you can tell a large story with a |
| has to transform the photographer into an | tiny subject. - Eliot Porter |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| One should really use the camera as though | ever recognize it? - Ernst Haas |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| A mad, keen photographer needs to get out | play. The more you look around at things, the |
| into the world and work and make mistakes. | more you see. The more you photograph, the |
| - Sam Abell | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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