| One should really use the camera as though | Photography knows how to authenticate its |
| tomorrow you'd be stricken blind. | misrepresentations. - Mason Cooley |
| - Dorothea Lange | |
| | Pictures you have taken have an influence on |
| I almost never set out to photograph a | those that you are going to make. |
| landscape, nor do I think of my camera as a | That's life! - John Sexton |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Memory is very important, the memory of |
| first thought is always of light. - Galen | each photo taken, flowing at the same speed |
| Rowell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Philadelphia |
New York |
Dallas |
San Francisco |
Bradenton |
Flint |
Poughkeepsie |
Hicksville |
Wallingford |
Carson City |
Alpena |
Baxley |
West Des Moines |
Manchester |
Hendersonville |
Cohasset |
Zephyrhills |
Salisbury |
Pulaski |
Beverly Hills |
Midlothian |
Davis |
Freeport |
Southbury |
Suffolk |
Belmont |
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| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | You can find pictures anywhere. It's simply a |
| "Does this subject move me to feel, think | matter of noticing things and organizing them. |
| and dream? Can I visualize a print - my own | You just have to care about what's around you |
| personal statement of what I feel and want to | and have a concern with humanity and the |
| convey - from the subject before me?" | human comedy. - Elliott Erwitt |
| - Ansel Adams | |
| | No place is boring, if you've had a good |
| It is not the language of painters but the | night's sleep and have a pocket full of |
| language of nature which one should listen to. | unexposed film. - Robert Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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