| You can find pictures anywhere. It's simply a | My own eyes are no more than scouts on a |
| matter of noticing things and organizing them. | preliminary search, for the camera's eye may |
| You just have to care about what's around you | entirely change my idea. - Edward |
| and have a concern with humanity and the | Weston |
| human comedy. - Elliott Erwitt | |
| | One should really use the camera as though |
| A good picture is equivalent to a good deed. | tomorrow you'd be stricken blind. |
| - Vincent Van Gogh | - Dorothea Lange |
| | |
| No place is boring, if you've had a good | Photography suits the temper of this ageof |
| night's sleep and have a pocket full of | active bodies and minds. It is a perfect |
| unexposed film. - Robert Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Houston |
New York |
Brooklyn |
San Antonio |
Spring Hill |
Red Bank |
Malden |
Salt Lake City |
Vicksburg |
Spokane |
Allen Park |
Lake Oswego |
Hattiesburg |
Meadville |
Sikeston |
Shippensburg |
Romulus |
Westlake |
Spring Lake |
Scranton |
West Mifflin |
Glen Cove |
Incline Village |
San Luis Obispo |
Suffolk |
Freeport |
Clinton |
West Monroe |
|
|
| I think you have to have a real point of view | "Simply look with perceptive eyes at the |
| that's your own. You have to tell it your way. | world about you, and trust to your own |
| And, I think that it's a mistake to shoot for a | reactions and convictions. Ask yourself: |
| specific magazine's point of view because it's | "Does this subject move me to feel, think |
| never going to be as good. You have to shoot | and dream? Can I visualize a print - my own |
| for yourself and photograph [the way] you | personal statement of what I feel and want to |
| believe it. - Mary Ellen Mark | convey - from the subject before me?" |
| | - Ansel Adams |
| Photography is about finding out what can | |
| happen in the frame. When you put four | Once photography enters your bloodstream, |
| edges around some facts, you change those | it's like a disease. - Anon |
| facts. - Gary Winogrand | |
|