| I think the best pictures are often on the edges | It is not the language of painters but the |
| of any situation, I don't find photographing the | language of nature which one should listen to. |
| situation nearly as interesting as | . . . The feeling for the things themselves, for |
| photographing the edges. - William Albert | reality, is more important than the feeling for |
| Allard | pictures. - Vincent Van Gogh |
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| A good picture is equivalent to a good deed. | [Photography] is a way of feeling, of touching, |
| - Vincent Van Gogh | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A great photograph is one that fully expresses | long after you have forgotten everything. |
| what one feels, in the deepest sense, about | - Aaron Siskind |
| what is being photographed. - Ansel | |
| Adams | |
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Houston |
Philadelphia |
New York |
Miami |
San Antonio |
Charlotte |
Chattanooga |
Modesto |
Vineland |
Gaithersburg |
Lowell |
Naperville |
Terre Haute |
Morgantown |
Tinley Park |
Mesa |
League City |
Palatka |
Reynoldsburg |
Lake Placid |
Del City |
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| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | I think you have to have a real point of view |
| caught up in color, and it becomes merely | that's your own. You have to tell it your way. |
| decorative. Some photographers use [ it ] | And, I think that it's a mistake to shoot for a |
| brilliantly to make visual statements combining | specific magazine's point of view because it's |
| color and content; otherwise it is empty. | never going to be as good. You have to shoot |
| - Mary Ellen Mark | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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