| A picture is the expression of an impression. If | One should really use the camera as though |
| the beautiful were not in us, how would we | tomorrow you'd be stricken blind. |
| ever recognize it? - Ernst Haas | - Dorothea Lange |
| | |
| Sometimes you can tell a large story with a | The virtue of the camera is not the power it |
| tiny subject. - Eliot Porter | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Keep it simple. - Alfred Eienstaedt | looking. - Brooks Anderson |
| | |
| You learn to see by practice. It's just like | Photography suits the temper of this ageof |
| playing tennis, you get better the more you | active bodies and minds. It is a perfect |
| play. The more you look around at things, the | medium for one whose mind is teeming with |
| more you see. The more you photograph, the | ideas, imagery, for a prolific worker who |
| more you realize what can be photographed | would be slowed down by painting or |
| and what can't be photographed. You just have | sculpting, for one who sees quickly and acts |
| to keep doing it. - Eliot Porter | decisively, accurately. - Edward Weston |
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Miami |
Fort Worth |
Las Vegas |
Boise |
Rochester |
San Antonio |
Benton |
Metairie |
Amarillo |
Fulton |
Belleville |
Westminster |
Atlantic City |
Richardson |
Saddle Brook |
Attleboro |
Melville |
Bloomsburg |
Sallisaw |
Millen |
Brandon |
Marietta |
Bethesda |
Boardman |
Troutdale |
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| Photography is a major force in explaining | "Simply look with perceptive eyes at the |
| man to man. - Edward Steichen | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| You've got to push yourself harder. You've got | "Does this subject move me to feel, think |
| to start looking for pictures nobody else could | and dream? Can I visualize a print - my own |
| take. You've got to take the tools you have and | personal statement of what I feel and want to |
| probe deeper. - William Albert Allard | convey - from the subject before me?" |
| | - Ansel Adams |
| Pictures you have taken have an influence on | |
| those that you are going to make. | Above all, it's hard learning to live with vivid |
| That's life! - John Sexton | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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