| My own eyes are no more than scouts on a | You've got to push yourself harder. You've got |
| preliminary search, for the camera's eye may | to start looking for pictures nobody else could |
| entirely change my idea. - Edward | take. You've got to take the tools you have and |
| Weston | probe deeper. - William Albert Allard |
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| The difficulty with color is to go beyond the | Pictures you have taken have an influence on |
| fact that it's color to have it be not just a | those that you are going to make. |
| colorful picture but really be a picture about | That's life! - John Sexton |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography records the gamut of feelings |
| decorative. Some photographers use [ it ] | written on the human face, the beauty of the |
| brilliantly to make visual statements combining | earth and skies that man has inherited and the |
| color and content; otherwise it is empty. | wealth and confusion man has created. |
| - Mary Ellen Mark | - Edward Steichen |
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Brooklyn |
Baltimore |
Phoenix |
Mobile |
Overland Park |
Monroe |
Warren |
Cumming |
San Angelo |
North Miami |
Milwaukie |
Hammonton |
Franklin |
Sterling Heights |
Burleson |
Pittsburg |
St. Charles |
Toledo |
Dixon |
Bowie |
Rolla |
Bridgeton |
New Johnsonville |
Trinidad |
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| No place is boring, if you've had a good | Photography takes an instant out of time, |
| night's sleep and have a pocket full of | altering life by holding it still. - Dorothea |
| unexposed film. - Robert Adams | Lange |
| | |
| Sometimes you can tell a large story with a | It is not the language of painters but the |
| tiny subject. - Eliot Porter | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A good picture is equivalent to a good deed. | reality, is more important than the feeling for |
| - Vincent Van Gogh | pictures. - Vincent Van Gogh |
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