| No place is boring, if you've had a good | Memory is very important, the memory of |
| night's sleep and have a pocket full of | each photo taken, flowing at the same speed |
| unexposed film. - Robert Adams | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| A good picture is equivalent to a good deed. | captured everything, because afterwards it will |
| - Vincent Van Gogh | be too late. - Henri Cartier Bresson |
| | |
| You can find pictures anywhere. It's simply a | ...words and pictures can work together to |
| matter of noticing things and organizing them. | communicate more powerfully than either |
| You just have to care about what's around you | alone. -William Albert Allard |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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Houston |
New York |
Chicago |
Memphis |
Columbia |
Alexandria |
Beaumont |
Dayton |
Virginia Beach |
Bloomington |
Jefferson City |
Longmont |
Auburn |
Baxley |
Dayton |
Appleton |
Compton |
Norco |
Romeo |
Newton |
Meadville |
Hesperia |
Delta |
Lake Forest |
Brockport |
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| The camera makes everyone a tourist in other | "Simply look with perceptive eyes at the |
| people's reality. - Susan Sontag | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| One should really use the camera as though | "Does this subject move me to feel, think |
| tomorrow you'd be stricken blind. | and dream? Can I visualize a print - my own |
| - Dorothea Lange | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| The difficulty with color is to go beyond the | - Ansel Adams |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Above all, it's hard learning to live with vivid |
| something. It's difficult. So often color gets | mental images of scenes I cared for and failed |
| caught up in color, and it becomes merely | to photograph. It is the edgy existence within |
| decorative. Some photographers use [ it ] | me of these unmade images that is the only |
| brilliantly to make visual statements combining | assurance that the best photographs are yet to |
| color and content; otherwise it is empty. | be made. - Sam Abell |
| - Mary Ellen Mark | |
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