| One should really use the camera as though | Sometimes you can tell a large story with a |
| tomorrow you'd be stricken blind. | tiny subject. - Eliot Porter |
| - Dorothea Lange | |
| | You learn to see by practice. It's just like |
| A mad, keen photographer needs to get out | playing tennis, you get better the more you |
| into the world and work and make mistakes. | play. The more you look around at things, the |
| - Sam Abell | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| The camera makes everyone a tourist in other | and what can't be photographed. You just have |
| people's reality. - Susan Sontag | to keep doing it. - Eliot Porter |
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Los Angeles |
Brooklyn |
San Francisco |
San Antonio |
Tucson |
Fort Myers |
Long Beach |
Madison |
Pittsburgh |
Quincy |
Durham |
Chicago |
Phoenix |
Denton |
Apache Junction |
Williamsport |
Detroit |
Sebring |
Wall |
Largo |
Cardiff By The Sea |
Watsonville |
Westbrook |
Amana Colonies |
Onamia |
Monticello |
Farmers Branch |
Richfield |
Marshalls Creek |
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| You've got to push yourself harder. You've got | [Photography] is a way of feeling, of touching, |
| to start looking for pictures nobody else could | of loving. What you have caught on film is |
| take. You've got to take the tools you have and | captured forever . . . it remembers little things, |
| probe deeper. - William Albert Allard | long after you have forgotten everything. |
| | - Aaron Siskind |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | It is not the language of painters but the |
| And, I think that it's a mistake to shoot for a | language of nature which one should listen to. |
| specific magazine's point of view because it's | . . . The feeling for the things themselves, for |
| never going to be as good. You have to shoot | reality, is more important than the feeling for |
| for yourself and photograph [the way] you | pictures. - Vincent Van Gogh |
| believe it. - Mary Ellen Mark | |
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