| A mad, keen photographer needs to get out | There is nothing worse than a sharp image of |
| into the world and work and make mistakes. | a fuzzy concept. - Ansel Adams |
| - Sam Abell | |
| | Now to consult the rules of composition before |
| I almost never set out to photograph a | making a picture is a little like consulting the |
| landscape, nor do I think of my camera as a | law of gravitation before going for a walk. |
| means of recording a mountain or an animal | Such rules and laws are deduced from the |
| unless I absolutely need a 'record shot'. My | accomplished fact; they are the products of |
| first thought is always of light. - Galen | reflection . . . - Edward Weston |
| Rowell | |
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Omaha |
Pittsburgh |
Columbus |
Modesto |
Goldsboro |
Camp Hill |
Zanesville |
Richland |
Los Gatos |
Cumberland |
La Mesa |
Scranton |
Mountain View |
Mount Pleasant |
Carlsbad |
Warrensburg |
Miles City |
Muscle Shoals |
Hopkinsville |
Sheboygan |
White Plains |
Ruston |
Fremont |
Hayward |
Longwood |
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| A great photograph is one that fully expresses | Photography records the gamut of feelings |
| what one feels, in the deepest sense, about | written on the human face, the beauty of the |
| what is being photographed. - Ansel | earth and skies that man has inherited and the |
| Adams | wealth and confusion man has created. |
| | - Edward Steichen |
| Sometimes you can tell a large story with a | |
| tiny subject. - Eliot Porter | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| A room hung with pictures is a room hung with | as the event. During the work, you have to be |
| thoughts. - Sir Joshua Reynolds | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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