| Memory is very important, the memory of | There is nothing worse than a sharp image of |
| each photo taken, flowing at the same speed | a fuzzy concept. - Ansel Adams |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | Now to consult the rules of composition before |
| captured everything, because afterwards it will | making a picture is a little like consulting the |
| be too late. - Henri Cartier Bresson | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| You've got to push yourself harder. You've got | accomplished fact; they are the products of |
| to start looking for pictures nobody else could | reflection . . . - Edward Weston |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
|
|
San Diego |
New York |
Ocala |
Castro Valley |
Jasper |
Winchester |
Ringgold |
Rogers |
Ormond Beach |
Shawano |
Canyon |
Pottsville |
Woodstock |
Newport News |
Wickenburg |
Webster |
Wahoo |
Chester |
Kaanapali Beach |
Newry |
Pacifica |
Veradale |
Iron Mountain |
St. Marys |
Westminster |
Burlington |
Westborough |
Matteson |
Mt. Airy |
Toledo |
|
|
| One should really use the camera as though | You learn to see by practice. It's just like |
| tomorrow you'd be stricken blind. | playing tennis, you get better the more you |
| - Dorothea Lange | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| The camera makes everyone a tourist in other | more you realize what can be photographed |
| people's reality. - Susan Sontag | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | A great photograph is one that fully expresses |
| - Sam Abell | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
|