| I think you have to have a real point of view | A picture is the expression of an impression. If |
| that's your own. You have to tell it your way. | the beautiful were not in us, how would we |
| And, I think that it's a mistake to shoot for a | ever recognize it? - Ernst Haas |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | No place is boring, if you've had a good |
| for yourself and photograph [the way] you | night's sleep and have a pocket full of |
| believe it. - Mary Ellen Mark | unexposed film. - Robert Adams |
| | |
| ...words and pictures can work together to | A room hung with pictures is a room hung with |
| communicate more powerfully than either | thoughts. - Sir Joshua Reynolds |
| alone. -William Albert Allard | |
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Chicago |
San Antonio |
New York |
San Jose |
Milwaukee |
Modesto |
Tucson |
Pensacola |
Savannah |
New Port Richey |
Biloxi |
Fayetteville |
Springfield |
Lawrence |
Bellevue |
Freeport |
Allen |
Monterey Park |
Marion |
Moody |
Goodlettsville |
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| The difficulty with color is to go beyond the | "Simply look with perceptive eyes at the |
| fact that it's color to have it be not just a | world about you, and trust to your own |
| colorful picture but really be a picture about | reactions and convictions. Ask yourself: |
| something. It's difficult. So often color gets | "Does this subject move me to feel, think |
| caught up in color, and it becomes merely | and dream? Can I visualize a print - my own |
| decorative. Some photographers use [ it ] | personal statement of what I feel and want to |
| brilliantly to make visual statements combining | convey - from the subject before me?" |
| color and content; otherwise it is empty. | - Ansel Adams |
| - Mary Ellen Mark | |
| | Once photography enters your bloodstream, |
| | it's like a disease. - Anon |
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