| It is not the language of painters but the | One should really use the camera as though |
| language of nature which one should listen to. | tomorrow you'd be stricken blind. |
| . . . The feeling for the things themselves, for | - Dorothea Lange |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | Photography suits the temper of this ageof |
| | active bodies and minds. It is a perfect |
| Now to consult the rules of composition before | medium for one whose mind is teeming with |
| making a picture is a little like consulting the | ideas, imagery, for a prolific worker who |
| law of gravitation before going for a walk. | would be slowed down by painting or |
| Such rules and laws are deduced from the | sculpting, for one who sees quickly and acts |
| accomplished fact; they are the products of | decisively, accurately. - Edward Weston |
| reflection . . . - Edward Weston | |
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New York |
Brooklyn |
Long Beach |
Trenton |
Wichita |
Omaha |
Herndon |
London |
Fort Lauderdale |
Lake City |
Danville |
Darien |
Kailua Kona |
Atlantic City |
Leeds |
Oak Forest |
Lock Haven |
Napa |
Myrtle Beach |
West Allis |
Covington |
Clarksville |
Elk Grove Village |
Waseca |
Perris |
Hernando |
Senatobia |
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| Photography is about finding out what can | A great photograph is one that fully expresses |
| happen in the frame. When you put four | what one feels, in the deepest sense, about |
| edges around some facts, you change those | what is being photographed. - Ansel |
| facts. - Gary Winogrand | Adams |
| | |
| Photography is a major force in explaining | I think the best pictures are often on the edges |
| man to man. - Edward Steichen | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| Pictures you have taken have an influence on | photographing the edges. - William Albert |
| those that you are going to make. | Allard |
| That's life! - John Sexton | |
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