| My own eyes are no more than scouts on a | ...words and pictures can work together to |
| preliminary search, for the camera's eye may | communicate more powerfully than either |
| entirely change my idea. - Edward | alone. -William Albert Allard |
| Weston | |
| | Memory is very important, the memory of |
| One should really use the camera as though | each photo taken, flowing at the same speed |
| tomorrow you'd be stricken blind. | as the event. During the work, you have to be |
| - Dorothea Lange | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| A mad, keen photographer needs to get out | be too late. - Henri Cartier Bresson |
| into the world and work and make mistakes. | |
| - Sam Abell | |
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Houston |
Philadelphia |
Memphis |
Orlando |
Detroit |
Yonkers |
Milwaukee |
Mission Viejo |
Gaithersburg |
Richardson |
Newnan |
Ocala |
Irving |
Mentor |
Muskogee |
Huntersville |
Denver |
Dayton |
Thornton |
Diamond Bar |
Hamilton |
Brookfield |
Emmetsburg |
New Philadelphia |
Stratton Mountain Village |
West Warwick |
Kingston |
Forsyth |
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| A picture is the expression of an impression. If | There is nothing worse than a sharp image of |
| the beautiful were not in us, how would we | a fuzzy concept. - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | Photography takes an instant out of time, |
| A room hung with pictures is a room hung with | altering life by holding it still. - Dorothea |
| thoughts. - Sir Joshua Reynolds | Lange |
| | |
| A great photograph is one that fully expresses | Now to consult the rules of composition before |
| what one feels, in the deepest sense, about | making a picture is a little like consulting the |
| what is being photographed. - Ansel | law of gravitation before going for a walk. |
| Adams | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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