| Keep it simple. - Alfred Eienstaedt | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| I think the best pictures are often on the edges | Lange |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | "Simply look with perceptive eyes at the |
| photographing the edges. - William Albert | world about you, and trust to your own |
| Allard | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A picture is the expression of an impression. If | and dream? Can I visualize a print - my own |
| the beautiful were not in us, how would we | personal statement of what I feel and want to |
| ever recognize it? - Ernst Haas | convey - from the subject before me?" |
| | - Ansel Adams |
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Phoenix |
New York |
Long Beach |
Oklahoma City |
Abilene |
Tulsa |
Odessa |
Charleston |
Everett |
Plymouth |
Coshocton |
West Helena |
Stuttgart |
Auburn |
Playa Del Rey |
Berea |
Fenton |
Ames |
Thibodaux |
Rocky Mount |
Texarkana |
Ripley |
Hot Springs |
Rancho Bernardo |
Silver Spring |
Benson |
Buffalo |
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| The camera makes everyone a tourist in other | I think you have to have a real point of view |
| people's reality. - Susan Sontag | that's your own. You have to tell it your way. |
| | And, I think that it's a mistake to shoot for a |
| One should really use the camera as though | specific magazine's point of view because it's |
| tomorrow you'd be stricken blind. | never going to be as good. You have to shoot |
| - Dorothea Lange | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | Photography is a major force in explaining |
| - Sam Abell | man to man. - Edward Steichen |
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