| There is nothing worse than a sharp image of | A mad, keen photographer needs to get out |
| a fuzzy concept. - Ansel Adams | into the world and work and make mistakes. |
| | - Sam Abell |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | One should really use the camera as though |
| to photograph. It is the edgy existence within | tomorrow you'd be stricken blind. |
| me of these unmade images that is the only | - Dorothea Lange |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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Houston |
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| ...words and pictures can work together to | I think the best pictures are often on the edges |
| communicate more powerfully than either | of any situation, I don't find photographing the |
| alone. -William Albert Allard | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| I think you have to have a real point of view | Allard |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | You can find pictures anywhere. It's simply a |
| specific magazine's point of view because it's | matter of noticing things and organizing them. |
| never going to be as good. You have to shoot | You just have to care about what's around you |
| for yourself and photograph [the way] you | and have a concern with humanity and the |
| believe it. - Mary Ellen Mark | human comedy. - Elliott Erwitt |
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