| "Simply look with perceptive eyes at the | The difficulty with color is to go beyond the |
| world about you, and trust to your own | fact that it's color to have it be not just a |
| reactions and convictions. Ask yourself: | colorful picture but really be a picture about |
| "Does this subject move me to feel, think | something. It's difficult. So often color gets |
| and dream? Can I visualize a print - my own | caught up in color, and it becomes merely |
| personal statement of what I feel and want to | decorative. Some photographers use [ it ] |
| convey - from the subject before me?" | brilliantly to make visual statements combining |
| - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Photography is my passion. - Alfred | |
| Stieglitz | |
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Brooklyn |
New York |
Omaha |
Tallahassee |
Muskegon |
Bradenton |
Yuba City |
Jackson |
Jensen Beach |
North Fort Myers |
Rutland |
National City |
Dansville |
Green River |
Billerica |
Bellevue |
Florence |
Trenton |
Catoosa |
Monticello |
Temple Terrace |
Richburg |
Sioux Center |
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| Photography knows how to authenticate its | No place is boring, if you've had a good |
| misrepresentations. - Mason Cooley | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| I think you have to have a real point of view | |
| that's your own. You have to tell it your way. | Sometimes you can tell a large story with a |
| And, I think that it's a mistake to shoot for a | tiny subject. - Eliot Porter |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | A picture is the expression of an impression. If |
| for yourself and photograph [the way] you | the beautiful were not in us, how would we |
| believe it. - Mary Ellen Mark | ever recognize it? - Ernst Haas |
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