| You learn to see by practice. It's just like | "Simply look with perceptive eyes at the |
| playing tennis, you get better the more you | world about you, and trust to your own |
| play. The more you look around at things, the | reactions and convictions. Ask yourself: |
| more you see. The more you photograph, the | "Does this subject move me to feel, think |
| more you realize what can be photographed | and dream? Can I visualize a print - my own |
| and what can't be photographed. You just have | personal statement of what I feel and want to |
| to keep doing it. - Eliot Porter | convey - from the subject before me?" |
| | - Ansel Adams |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Once photography enters your bloodstream, |
| situation nearly as interesting as | it's like a disease. - Anon |
| photographing the edges. - William Albert | |
| Allard | |
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Houston |
Miami |
Seattle |
San Diego |
New Orleans |
Minneapolis |
Mobile |
Bayside |
St. Paul |
Rochester |
Conway |
St. Louis |
Newburgh |
Yonkers |
Fort Myers |
Chambersburg |
Nashua |
Carthage |
Bolingbrook |
Angola |
Fairmont |
Pawtucket |
Ocean City |
St. Cloud |
Jackson |
Hastings |
Marietta |
Jackson |
Austin |
Perryville |
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| Photography records the gamut of feelings | Photography suits the temper of this ageof |
| written on the human face, the beauty of the | active bodies and minds. It is a perfect |
| earth and skies that man has inherited and the | medium for one whose mind is teeming with |
| wealth and confusion man has created. | ideas, imagery, for a prolific worker who |
| - Edward Steichen | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| I think you have to have a real point of view | decisively, accurately. - Edward Weston |
| that's your own. You have to tell it your way. | |
| And, I think that it's a mistake to shoot for a | My own eyes are no more than scouts on a |
| specific magazine's point of view because it's | preliminary search, for the camera's eye may |
| never going to be as good. You have to shoot | entirely change my idea. - Edward |
| for yourself and photograph [the way] you | Weston |
| believe it. - Mary Ellen Mark | |
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